cnoc-na-siog:

In Tir na nÓg, the Land of the Living Heart, Brigid was singing. Aengus the Ever-Young, and Midir the Red-Maned, and Ogma that is called Splendour of the Sun, and the Dagda and other lords of the people of Dana drew near to listen.

Brigid sang:

“Now comes the hour foretold, a god-gift bringing.
A wonder-sight.
Is it a star new-born and splendid up springing
Out of the night?
Is it a wave from the Fountain of Beauty up flinging
Foam of delight?
Is it a glorious immortal bird that is Winging hither its flight?

It is a wave, high-crested, melodious, triumphant, 
Breaking in light.
It is a star, rose-hearted and joyous, a splendour
Risen from night.
It is flame from the world of the gods, and love runs before it,
A quenchless delight.

Let the wave break, let the star rise, let the flame leap.
Ours, if our hearts are wise,
To take and keep.”

— Ella Young, “Celtic Wonder-Tales”

thornyflesh:

CROWCORE

  • similar to goblincore but more goth
  • shiny stuff, wearing black, birds
  • vulture culture (crow culture???) if youre into that kind of thing, if not thats chill
  • stealing ur friends food (not mandatory but encouraged)
  • you could steal food from people who are not your friends but do so at your own risk

you must be

  • an absolute bastard
  • smart but also a dumbass (true dumbasses also welcome)
  • vengeful as hell
  • you obviously gotta like crows to be crowcore like how are you even goth if you dont like those funky little birds

Cups of Fortune; Cups of Loss

ofwoodandbone:

Sometimes, I’m approached and asked to do something that witches and folk magicians have been doing for ages. I’m asked to glimpse into someone’s life, both past and future. 

I usually tell them the same thing; to come have tea with me.
We sit and drink and chat. Sometimes in anticipation, they down their cup quickly. I look into it and see a story. I tell them a tale and they go on their way. 

Despite not being as popular these days, reading by tea leaves has been one of my favorite methods of divination for a long time. It’s old fashioned, quaint, and yet still deeply mystical. 
We think of little old women sipping on cups set atop saucers in a warm kitchen. We think of old wooden tables lined with thin lace fabric. We think of the prospects hidden among a bunch of wet leaves at the bottom of a cup.
This is folk magic.

I was taught to do it in a very simple way. For whomever you are to read, they will drink from the cup at least once. It’s better if they drink the whole cup, but it isn’t necessary. The drinking helps to bring messages. 
The person will think of what they wish to know as they sip. If it is a general glance over their life, they may relax and simply sip.
The tea will be drunk until a shallow puddle of water and leaves lay at the bottom. At that point, they will swish their cup three times, lay the saucer above the cup, grip them together, and flip them quickly. The cup shall be left turned for several minutes until all water has drained away. 

After drying, the cup’s prospects are revealed. The reader will look across the cup, making out symbols and narratives. They will interpret them to their own views. No book or symbol dictionary will tell the tale better. 
Let the words spill out of your mouth like the tea from the cup. Let their fate come from you. Tell their tale. 

Sometimes, when the message isn’t clear, another form of divination can be paired with it. Making out signs from smoke, from flames, or water can help to clarify the fortune in the cup. 

Don’t be afraid to be honest. Some fates are bad. Some fates are tragic. These too have to spill from the mouth, or the person might be blindsided by something they might’ve avoided. Cups of losses can be of as much use as cups of fortune.

There are many fates to be told at a kitchen table. A story of heartbreak and rage plays itself across the blue painted porcelain. A sordid tale of a mischievous love affair ensues in a terra cotta mug. A future of great wealth and gain spills itself over the saucer. A budding friendship blooms under a glass stein.

Whether a cup of fortune or a cup of loss, will you drink a cup of fate?

How would you describe your personal style?

That’s a very good question, and I honestly don’t know if I have a solid answer. I wouldn’t say I have a particularly curated aesthetic, but rather many aesthetics that I like and will buy clothing to match. I’d say that, most commonly, my style fluctuates between 90s Urban Cottage Witch, Scottish Lass Heading to Market For Meats and Cheeses, and Young Goth County Star About to Make It Big.

morbidmanatee:

I feel like our economy has been driven by mass production for so long that we’ve forgotten just how intensely time-consuming making things by hand is. Mass production was revolutionary for a reason. It DRASTICALLY reduced the cost of things. And I’m all for making things more affordable! But the problem arises when people decide they want something handmade for the cost of something mass produced. People get an idea in their mind “this is how much x item should cost” when in actuality that’s how much a machine made version of that thing costs. Then they hear the price of something made entirely by hand and think “that person is ripping me off.” If you want something handmade, you have to compensate the person making it fairly.

Yup. Seriously, the reaction people have when they ask me how much it would be for them to commission me for a sweater and I tell them at least $300. Even friends who honestly want to pay me a fair price, but have no idea how time consuming making a whole ass sweater is, are shocked. Handmade takes work.